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2051
Paul Wehage : Concertino for alto saxophone and concert band, score and complete parts
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.817667 Composed by Paul Wehage. C…
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Concert Band - Level 5 - Digital Download SKU: A0.817667 Composed by Paul Wehage. Classical,Contemporary,Contest,Festival. Score and parts. 310 pages. Musik Fabrik Music Publishing #424555. Published by Musik Fabrik Music Publishing (A0.817667). A work in three movements with a lyrical central movement framed by two allegro movements.
$129.95
121.29 €
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Concert band
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Paul Wehage
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Paul Wehage : Concertino for alto saxophone and concert band, score and complete parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ange Flégier: Habanera for string orchestra
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.534382 Composed by Ange Flég…
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String Orchestra - Level 3 - Digital Download SKU: A0.534382 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 14 pages. Musik Fabrik Music Publishing #3399583. Published by Musik Fabrik Music Publishing (A0.534382). An intermediate-level piece for string orchestra.Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseille et died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Cor”, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratoria Ossian and many chamber works, including the first “dixtuor” for wind quintet and string quintet.
$38.95
36.35 €
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String Orchestra
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Ange Flégier
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Ange Flégier: Habanera for string orchestra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, contrabass part
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.533677 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.533677 Composed by Carson Cooman. Contemporary,Sacred. Individual part. 5 pages. Musik Fabrik Music Publishing #3037315. Published by Musik Fabrik Music Publishing (A0.533677). This is the contrabass part for this work by Carson Cooman
$4.99
4.66 €
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Double Bass
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Karl August Hermann : Pensées Musicale (Musical Thought) for piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1389271 By Nicolas Horvath. By Karl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1389271 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultural,Romantic Period,World. Score. 3 pages. Musik Fabrik Music Publishing #972812. Published by Musik Fabrik Music Publishing (A0.1389271). Karl August Hermann is considered to be one of the fathers of the Estonian Language. Mainly known for his choral music, he also wrote a series of works for solo piano. These works were recorded in 2018 by Nicolas Horvath for the Toccata Classics label in 2018.
$7.35
6.86 €
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Piano solo
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Nicolas Horvath
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Karl August Hermann : Pensées Musicale
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carlos Perón Cano: Musica pendular IV for flute, viola, two guitars, two pianos and contrabass
Small Ensemble Double Bass,Flute,Guitar,Piano Accompaniment,Viola - Level 4 - Digital Down…
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Small Ensemble Double Bass,Flute,Guitar,Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.533270 Composed by Carlos Peron Cano. 20th Century,Contemporary. Score and parts. 40 pages. Musik Fabrik Music Publishing #2151329. Published by Musik Fabrik Music Publishing (A0.533270). A mixed septet which uses elements of minimalism
$16.95
15.82 €
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Carlos Peron Cano
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Carlos Perón Cano: Musica pendular IV for flute, viola, two guitars, two pianos and contrabass
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, percussion parts + harp and contrabass par
Concert band
Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Bren…
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Small Ensemble - Level 4 - Digital Download SKU: A0.540713 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 36 pages. Musik Fabrik Music Publishing #62099. Published by Musik Fabrik Music Publishing (A0.540713). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item contains the percussion, harp, and contrabass parts. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available The fullscore is available as a seperate item..
$19.95
18.62 €
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Concert band
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Therese Brenet
#
Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: (5523) Luminet 1991 PH8 for concert band, score
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet…
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Concert Band - Level 4 - Digital Download SKU: A0.540710 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 39 pages. Musik Fabrik Music Publishing #62093. Published by Musik Fabrik Music Publishing (A0.540710). The composer writes : This work was premièred on April 27, 2003 at the Eglise Saint-Roch in Paris with the prestigious Orchestre de la Musique de L’Armée de L’Air, under the direction of my friend and colleague, Claude Picheraureau. I have always been fascinated by the beauty of the Cosmos, which has inspired many of my works. Feelings of infinite movement can be expressed musically and it seemed to me that one of the ways to do this was to end this work on a repeated phrase played in a long perdendosi, to give the impression that one is hearing the echoes of the finished phrase as the instruments stop playing. I had just started to write this work when I received a note for the Paris Observatory which gave me the news that the astronomical community had decided to name a newly discovered asteroid for Jean-Pierre Luminet. When I wrote to Jean-Pierre to congratulate him on this honour, reminding him with the Petit Prince that not everyone has their own star, I asked him if he would accept that I name this work for concert band with the full name of his asteroid: 5523 Luminet 1991 PH8. Jean-Pierre accepted my proposition by return letter : ..., not only do I not have any objection, but I would be very honoured. To be in the celestial spheres in the form of a rock and also in the form of music, what more could one ask for? The work is scored for : Piccolo 2 Flûtes/2 Flutes 2 Hautbois/2 Oboes Cor Anglais/English Horn 2 Bassons/2 Bassoons Contrebasson/Contrabassoon Petite Clarinette en Mib/Eb Clarinet 1ers Clarinettes en Sib/1st Bb Clarinets : 2mes Clarinettes en Sib/2nd Bb Clarinets Clarinette Basse/Bass Clarinet 1er Saxophone Alto en Mib/1st Eb Alto Saxophone 2me Saxophone Alto en Mib/2nd Eb Alto Saxophone Saxophone Ténor en Sib/Bb Tenor Saxophone Saxophone Baryton en Mib/Eb Baritone Saxophone 4 Cors en fa/4 F Horns 2 trompettes en Sib/2 Bb Trumpets 2 cornets en Sib/2 Bb Cornets 2 Trombones Ténors/2 Tenor Trombones Trombone Basse/Bass Trombone Euphonium Tuba en Ut/Tuba in C Contrebasse à cordes/String Bass Harpe/Harp Timbales/Tympani Percussion I : Marimba Cloches en Tube/Tubular Bells &wRt Grosse Caisse/Bass Drum = G.C Tambour/Field Drum = Tamb. Percussion II : Jeu de timbres/Glockenspeil = JdT Caisse Claire/Snare Drum = c. cl. Percussion III : Gong 3 cymbales suspendues (aigu, medium, grave)/3 suspended cymbales (high, medium, low) = CSa, CSm, CSg 3 Tamtams (aigu, medium, grave/high, medium, low) = TTA, TTM, TTG Duration : aprox 12 minutes. This item is the full score. The parts are available in three sets (wind parts/brass part/percussion + harp and double bass) and each individual part is also available.
$19.95
18.62 €
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Concert band
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Therese Brenet
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Thérèse Brenet:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Twilight Music for flute, violin and piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.534062 Composed by Jan Freidlin. 20th Century,Contemporary. Score and parts. 11 pages. Musik Fabrik Music Publishing #3103777. Published by Musik Fabrik Music Publishing (A0.534062). An aleatoric work which uses guided improvisation in a contemporary style. All players play off of the fullscore, so three copies need to be printed
$25.95
24.22 €
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Jan Freidlin
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Jan Freidlin: Twilight Music for flute, violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Little Poppet (2009) mute music for solo trumpet
Trumpet
Trumpet Solo - Level 4 - Digital Download SKU: A0.533577 Composed by Carson Cooman.…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.533577 Composed by Carson Cooman. Concert,Contemporary,Instructional,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3024999. Published by Musik Fabrik Music Publishing (A0.533577). Little Poppet (2009) mute music for solo trumpet was written for Colby Cooman.It is a brief piece that inflects a single musical line with the sound of the various trumpet mutes. Themusical discourse moves between scherzando gestures and searchingly lyrical ones.The “physical display” of the mute changes may call to mind a marionette on strings.
$7.75
7.23 €
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Trumpet
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Carson Cooman
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Carson Cooman: Little Poppet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Music from Mayflower Hill for solo trumpet
Trumpet
Trumpet Solo - Level 3 - Digital Download SKU: A0.533464 Composed by Carson Cooman.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.533464 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2991167. Published by Musik Fabrik Music Publishing (A0.533464). Music from Mayflower Hill (2001) for solo trumpet was composed for and is dedicated totrumpeter Colby Cooman.The title refers to Mayflower Hill in Waterville, Maine, on which the campus of ColbyCollege sits. The principal material is derived from COLBY in note-codes.The work is based on a series of alternating sudden gestures of dynamic contrast with lyricallines. The harmonic material consists of a shifting pattern of the modes.
$7.75
7.23 €
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Trumpet
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Carson Cooman
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Carson Cooman: Music from Mayflower Hill for solo trumpet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jan Freidlin: A Little Morning Music for two violins
2 Violins (duet)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.534077 Composed by Jan Frei…
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.534077 Composed by Jan Freidlin. Concert,Contemporary,Standards. 36 pages. Musik Fabrik Music Publishing #3108255. Published by Musik Fabrik Music Publishing (A0.534077). A set of duets for two violins
$19.95
18.62 €
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2 Violins (duet)
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Jan Freidlin
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Jan Freidlin: A Little Morning Music for two violins
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul Wehage: Dog Music for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Digital Download SKU: A0.533837 Composed by Paul Wehage. Con…
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Alto Saxophone,Piano - Digital Download SKU: A0.533837 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and part. 40 pages. Musik Fabrik Music Publishing #3052857. Published by Musik Fabrik Music Publishing (A0.533837). A suite of eight short and humorous pieces for alto saxophone and piano, inspired by portraits of dogs.
$16.95
15.82 €
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Alto Saxophone and Piano
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Paul Wehage
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Paul Wehage: Dog Music for alto saxophone and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.532889 Composed by Paul Wehage. C…
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Concert Band - Level 4 - Digital Download SKU: A0.532889 Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 37 pages. Musik Fabrik Music Publishing #416503. Published by Musik Fabrik Music Publishing (A0.532889). Starting from James Pierpont’s classic holiday song, this piece is a irreverental set of five variations which present the well-known in several unusual contexts: an exotic dance in a South American style, a Yiddish Waltz, a burlesque number which features a quartet of soloists. After a much more tame “Chorale-Prélude”, the fughetta on the verse (“Dashing Through the Snow”) leads to a finial exposition of the theme in a Toccata style. Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I, II and III F Horn I, II, III, and IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum, hit hat cymbal, suspended cymbal, triangle Percussion II: two temple blocks, Bass drum, crash cymbals, three toms, triangle Percussion III: chimes, xylophone This contains the full score. The parts are available in two sets: woodwind parts and part and percussion parts. The individual parts are also available seperately..
$19.95
18.62 €
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Concert band
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Paul Wehage
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Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul Wehage: Christmas Pastorale on Old French Carols for concert band, score only
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.532972 Composed by Paul Wehage. C…
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Concert Band - Level 3 - Digital Download SKU: A0.532972 Composed by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 17 pages. Musik Fabrik Music Publishing #428009. Published by Musik Fabrik Music Publishing (A0.532972). This Christmas Pastorale is a setting of two Provençal carols: “Venez, Bergers” and “Un Flambeau, Jeanette, Isabelle”, both of which date from around the 16th century. The two themes are first presented seperately and then combined to form a unique texture. The three percussion insturments may be placed in different positions in order to underline the conterpoint between the three parts. This item is the full score only. The complete woodwind parts and the complete brass and percussion parts are available as two seperate items. The individual parts are also available as single items. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III F Horn I-IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum Percussion II: triangle, tambour de Provence (or large tom) Percussion III: tambour de Basque (tambourine).
$19.95
18.62 €
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Concert band
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Paul Wehage
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Paul Wehage: Christmas Pastorale on Old French Carols for concert band, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - full score
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.533052 Composed by Germaine Taill…
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Concert Band - Level 4 - Digital Download SKU: A0.533052 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 17 pages. Musik Fabrik Music Publishing #432815. Published by Musik Fabrik Music Publishing (A0.533052). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie” and a dedication “à L'Harmonie Municipale de Lyon”. The pages which followed contained the score of “Choral” for organ with optional brass and “Fugue” for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the full score. The woodwind parts and the brass and percussion parts are available in two seperate sets. The individual parts are also available as separate items.
$19.95
18.62 €
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Concert band
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Germaine Tailleferre
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Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - full score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.35 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.35 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95
18.62 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35
9.66 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Easy Piano
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des ?l?phants), in others they are piano reductions of orchestral scores
(like F?tes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
premi?re recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95
18.62 €
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Easy Piano
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Karl August Hermann : Complete Works for piano, in three volumes
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1394158 By Nicolas Horvath. By Karl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1394158 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultural,Romantic Period,World. Score. 88 pages. Musik Fabrik Music Publishing #977643. Published by Musik Fabrik Music Publishing (A0.1394158). Karl August Hermann is considered to be one of the fathers of the Estonian Language. Mainly known for his choral music, he also wrote a series of works for solo piano. These works were recorded in 2018 by Nicolas Horvath for the Toccata Classics label in 2018.Contains : 1. Suve õhtu eha aja (Summer Evening Twilight2. Tundline unistus (Dream of an Hour)3. Das Leben Kampf (Struggles of Life)4. Winter und Frühling (Winter and Spring)5. Valse Nationale des Estoniens (The National Waltz of the Estonians)6. Ausser Anthem Polka7. Air Estonien Varie et Modulé8. Die Losum des Restels (The Solution to the Puzzle)9. Eetn Volkslied (Estonian Folksong)10. Air d’été (Summer Song)11. Pulli Handsu Pulmad (Bulli Handsu’s Wedding)12. Eest Waltz (Estonian Waltz)13. Letamine Ja Sarve : Nigh Torupilli Lugu (Allowing Service : The Story of the Bagpipes)14. Pensées de Vie (Thoughts of Life)15. Pensée musicale (Musical Thought)16. Marche de Fête (Festive March)17. Waltzstimmung (Waltz Piece)18. Andantino19. Album Leht (Album Leaf)20. Allegretto21. Kinund Kinnas (A Lost Glove) 22. Concert étude23. Trauring und Freuding (Grieving and Rejoicing)24. Kolm Karaktarpala (Three Charactor Pieces)(1, Through Difficulties to the Stars 2, In Hilarity 3, Futura Polka).
$61.95
57.82 €
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Piano solo
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Nicolas Horvath
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Karl August Hermann : Complete Works for piano, in three volumes
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Musik Fabrik Music Publishing
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SheetMusicPlus
Karl August Hermann : Complete Works for piano, vol. 2
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1394138 By Nicolas Horvath. By Karl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1394138 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultural,Romantic Period,World. Score. 28 pages. Musik Fabrik Music Publishing #977599. Published by Musik Fabrik Music Publishing (A0.1394138). Karl August Hermann is considered to be one of the fathers of the Estonian Language. Mainly known for his choral music, he also wrote a series of works for solo piano. These works were recorded in 2018 by Nicolas Horvath for the Toccata Classics label in 2018.Contains :9. Eetn Volkslied (Estonian Folksong)10. Air d’été (Summer Song)11. Pulli Handsu Pulmad (Bulli Handsu’s Wedding)12. Eest Waltz (Estonian Waltz)13. Letamine Ja Sarve : Nigh Torupilli Lugu (Allowing Service : The Story of the Bagpipes)14. Pensées de Vie (Thoughts of Life)15. Pensée musicale (Musical Thought)16. Marche de Fête (Festive March)
$24.95
23.29 €
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Piano solo
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Nicolas Horvath
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Karl August Hermann : Complete Works for piano, vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Planctus (2005) for solo viola
Viola
Viola Solo - Level 4 - Digital Download SKU: A0.533668 Composed by Musik Fabrik Mus…
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Viola Solo - Level 4 - Digital Download SKU: A0.533668 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3037089. Published by Musik Fabrik Music Publishing (A0.533668). Planctus (2005) for solo viola is dedicated to Alexandra Green, on her birthday. Planctus (noun, Latin) – Medieval style of song and poetry of a lamenting character. They were sung both in Latin and in the vernacular (common language), treated both religious and secular subjects, and were popular throughout Europe. The work is cast in song form. Like later examples of the “planctus”, the work becomes not truly a “lament”, but a more general song. The same rubato and musicality that is used in playing the unaccompanied cello suites of J. S. Bach should be applied to this piece. Always singing, always lyrical, always flexible, always keeping in mind the different voices and harmonies (implied and stated) occurring in the music.
$9.10
8.49 €
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Viola
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Musik Fabrik Music Publishing
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Carson Cooman: Planctus
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Musik Fabrik Music Publishing
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SheetMusicPlus
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